By Bruno Schindler (auth.), Christoph Kronhagel (eds.)
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Additional resources for Mediatecture: The Design of Medially Augmented Spaces
But the internet and digital media have, in the meanwhile, changed society so fundamentally that the scope of activities for mediatecture simply continues to grow. All of which means that I think that my initial suspicions of 1991 have been proved right. Film seeks to immerse the viewer – to draw him in and surround him. Mediatecture is a potential means of doing this. 16:9 widescreen, high deʏnition television (HD) and 3-D television and cinema are all leading in the same direction and conʏrm the thesis.
Inside the installation, 40 monitors displayed sophisticatedly produced media which use Sony products to show Sony products. The space could be dynamically speeded up and slowed down. Sometimes one saw a mosaic of individual images and sometimes a movement being carried through all monitors. Mediatecture is the orchestration and temporalizing of space, the ʏlling of space with meaning and the creation of a sphere of communication. 39 The First Concepts for Media Façades We developed the CTC (Cologne Trade Center) vision for the Architectural Competition “Breslauer Platz in Cologne” in 1992, interpreting the space in front of the cathedral as a stage.
Excerpts from the concept: The CTC is a place of communication which communicates its own activities to the outside. The skin becomes a screen which can carry video images due to a grid of individually controllable and dimmable lighting elements with a wide pixels pitch. From the inside images are projected on solar sails in the internal space that will become visible at night from the outside. By night many different images build a combined over-all image. By day the skin is transparent, allowing the view into the inside of the cell.