Download A Sourcebook of African-American Performance: Plays, People, by Annemarie Bean PDF

By Annemarie Bean

A Sourcebook on African-American functionality is the 1st quantity to think about African-American functionality among and past the Black Arts stream of the Sixties and the hot Black Renaissance of the 1990s.As with all titles within the Worlds of functionality sequence, the Sourcebook contains vintage texts in addition to newly commissioned items by means of extraordinary students, writers and performers. It contains the performs 'Sally's Rape' via Robbie McCauley and 'The American Play' by way of Suzan-Lori Parks, and is derived whole with a considerable, ancient advent by way of Annemarie Bean.Articles, essays, manifestos and interviews incorporated hide issues such as:* theatre at the specialist, innovative and school phases* live performance dance* group activism * step exhibits* functionality art.Contributors contain Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.

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Extra resources for A Sourcebook of African-American Performance: Plays, People, Movements (Worlds of Performance)

Sample text

G. We didn’t have any choice. BAMA: That’s right, Big Girl. You know we aint lame ’nuf to be usin’ yo pad for no highway. HOSS: Yeah, baby, you know how it is when the man is there. BIG GIRL: Well, that makes a difference, (smiles) Hey, what’cha standin’ there with your faces hangin’ out for? Get yourselves a drink. ) STOOGIE: How ya doin’, Clara. Ya lookin’ fine as ever. CLARA: I’m okay, Stoogie. I don’t have to ask ’bout you none. Bad news sho travels fast. STOOGIE: (holds arms apart in innocence) What’cha mean, baby?

I gave him children… 44 I THEATRICAL IN(TER)VENTIONS YOUNG GIRL: Sof’ shit. Your brother is that nigger cop. BLACK WOMAN: Naw it ain’t…he ain’t no kin to me…the lousyass murderer…for white folks too. BLACK COP: I didn’ wanna! YOUNG GIRL: Why don’t you use your whip on him? BLACK WOMAN: Whip? YOUNG GIRL: Yeh, that whip you used on “your” man. My dead brother. BLACK WOMAN: Whip? YOUNG GIRL: Yeh, whip! BLACK COP: I didn’ mean it!!! BLACK WOMAN: (searching in her clothes…comes up with it…an evil yellow “cat- ’a-nine” …looks at it…curls it up…snaps it, begins snapping it at cop, first tentatively, then with power) Whip?

STOOGIE: (drunk) Later, you square-ass, lame-ass mathafukker! (Hoss giggles) BABY GIRL: CAT! CAT! CAT! : (seated drinking) Shut up, Baby Girl. Ain’t no cats out dere. 2 CLARA’S OLE MAN 31 MISS FAMIE: (staggers from upstairs, calls back) Good night Toohey. See ya tomorrow. (With a nod from Stoogie, Bama and Hoss take Jack’s arms and wrestle him into the yard. The sound of Jack’s beating is heard. ) BABY GIRL: CAT! CAT! CAT! : SHUT UP! SHUT ON UP, BABY GIRL! I TOLE YA…DERE AIN’T NO CATS OUT DERE!!!

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